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Linda
Goodman
Linda Goodman has taught extensively in colleges
in the U.S., Italy and Greece.Her
work is in the Brooklyn Museum, the Oakland
Museum and the Library of Congress, and other public and private
collections. She holds an MFA in Printmaking from Mills College
and a BA in Fine Art from Stanford University. She is an expert
in monotype printmaking and teaches monotype and monoprint workshops
and classes in California, Italy, Argentina
and other locations by arrangement. For
resume, click here.
Contact: 510.653.0300. Email Linda at:  G
For views of Linda's California Studio, click here.
For carpool information email Linda.
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To
register for workshops with credit card or Paypal click on workshop
title to go to registration page or
click here.
Email
for direct registration details or more information:
(Please type address yourself to avoid spam).
All work is printed on a large freestanding intaglio (etching) press.
There is also a Fuchs and Lang lithography press for relief and
lithos.
FALL
2011
Printmaking Tutorial: (6
classes)
10:00 am - 1:00 pm.
Thursdays,
November
17 - December 22, 2011.
(Tues. Nov. 22 instead of qq/24)
($275 six-class sessions + $35 average materials fee)
Are you a printmaker who wants to work on a project, but you need
a little help figuring it out? Linda will work in the studio with
a few individuals and help them actualize their ideas. You may work
in intaglio, monoprint, monotype, relief, polymer plate, or lithography.
Experience necessary. Email or phone with any questions.
Additional
open lab time available by arrangement.
Monotype/Monoprint
Class — Variations in Time: (6
classes)
: Two
different classes: Non-toxic
Waterbased: 2:30 - 5:30 pm; Combined
(Waterbased,
water-soluble
oil-based, &/or
health-conscious
oil -based) 7:00
- 10:00 pm.
Wednesdays
November
17 - December 22, 2011
(Tues. Nov. 22 instead of 11/24)
($275
six-class sessions + $35 materials fee) You
may start mid-session.
Direct
and expressive, monotype joins the radiant qualities of prints with
the spontaneity of painting including the beauty of watercolor washes.
Monoprint allows for a permanent repeatable element combined with
one-of-a-kind effects. Explore the sequential possibilities of monotype
to develop your image conceptually and formally.
Goodman demonstrates her image-making methods with black and color
printing ink, ink modifiers, various drawing, painting and print
tools, paper handling, single-and multi-pass printing procedures,
hand coloring, chine colle and the development of "ghost"
imagery through successive printing states. If participants choose
to work in monoprint, a matrix form of printmaking such as drypoint
will be explored in combination with monotype. Ferric chloride non-toxic
etching and aquatint may be presented instead if in demand. All
techniques may not be covered in one session -- it will depend on
class dynamics. Individual and group critique as time allows. Additional
open lab time available by arrangement. All levels welcome.
The latest waterbased inks will be used in the afternoon class.
Combined class will use water-soluble oil-based inks -- new ones
that clean up with water, although oil-based etching and litho inks
will be allowed. Health-conscious habits always stress minimal exposure
to inks and solvent in all classes. Lab fee includes use of tarletan,
inks and modifiers, mordants, solvents and some plastic monotype
plates. Students supply own brushes, paper, and metal plates, etc.
Supply list sent on receipt of registration. To register for workshops
with credit card or Paypal go to registration page - click
here. Email for direct registration details:
(Please type address yourself to avoid spam).
 Color
Monotype Workshop (Waterbased): Saturday and Sunday 10:00 am
- 5:00 pm.($250
USD both days; One
day only $175 USD ; includes inks
& plates.).
December
10 & 11.
Hands-on
workshop in methods of manipulating the latest waterbased etching
inks on various plate materials to create unique print images. The
effects range from the subtle beauty of watercolor washes to the
luminosity and excitement of prints. Clean up is with soap and water.
Begin with one and two-pass black and color prints, and Sunday finish
with multiple-drops and color rolls. The emphasis is on the evolution
of your image and rich color development. Critiques as desired.
All levels. Additional
open lab time available by arrangement. You
may register for one or two days; new students must register for
Saturday unless approved by Linda.)To register for workshops with
credit card or Paypal go to registration page - click
here. Email for direct registration details:
(Please type address yourself to avoid spam)
Monotype & Chine
Collè Workshop (Watersoluble): Saturday and Sunday, 10:00
am - 5:00 pm. ($250 USD both days; Saturday
only $175 USD; includes inks & plates). Offered
in 2012.This
in-depth, hands-on workshop combines collage’s rich formal
and content possibilities with exquisite painterly and printerly
effects of monotype. Learn chine collè, a process of adhering
found, purchased and pre-printed papers and ephemera while simultaneously
printing on them. Instruction in methods of manipulating water-soluble
inks on various plate materials to create unique print images. The
effects range from the subtle beauty of watercolor washes to the
luminosity and excitement of prints. We will be using some of the
newest in watersoluble intaglio inks. Clean up is with soap and
water. Realize your artistic intent through an inventive use of
materials and technique. All levels. Additional open lab time available
by arrangement. To register for workshops with credit card or Paypal
go to registration page -
click here.
Email for direct registration details:
(Please type address yourself to avoid spam). If you only choose
to attend one day only you must come on Saturday unless you are
experienced and receive permission to attend on Sunday.
 Color
Monotype Workshop (Health-conscious oil-based):
Saturday and Sunday, 10:00 am - 5:00 pm. ($250 USD both days; Saturday
only $175 USD; includes lab fee)
December 3 & 4.
Direct
and expressive, monotype joins the radiant qualities of prints with
the spontaneity of painting. This in-depth workshop focuses on the
creation of multiple-run color monotypes. Goodman demonstrates her
techniqes for using etching and litho inks, transparencies, oils
and modifiers, rollers, and multiple plates
with color printing to achieve brilliant colors and crisp printerly
effects. Saturday, begin with one and two-pass black, ghost and
color prints, and Sunday finish with multiple-drops and broad color
rolls. The emphasis is on the evolution of your image and rich color
development. Critiques as desired. All levels. If you only choose
to attend one day only you must come on Saturday unless you are
experienced and receive permission to attend on Sunday. Additional
open lab time available by arrangement. To register for workshops
with credit card or Paypal go to registration page - click
here. Email for direct registration details:
(Please type address yourself to avoid spam).
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